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A brief history of Olay

March 19th, 2012

The views and opinions of this post are not necessarily those of Sherry’s Villa.


Powered by Guardian.co.ukThis article titled “A brief history of Olay” was written by Anna Chesters, for guardian.co.uk on Monday 12th March 2012 14.15 UTC

What’s the story?

Sixty years old this year, Olay started life in a South African lab by an ex-Unilever employee called Graham Wulff. Oil of Olay was originally a thick pink liquid which was marketed as an anti-ageing ‘beauty fluid’. In the 1970s the range expanded to include all manner of skincare products, and the company was bought by Procter & Gamble in the mid-80s. In 1999 what was called Oil of Ulay in the UK, Oil of Olaz in other European countries and Oil of Ulan in Australia, became known as just Olay the world over. It is now sold in 80 countries worldwide to an estimated 60 million women.

Why are we talking about it now?

Mother’s Day always makes me think of Olay/Ulay. Back in the 90s, it was very much a brand that was aimed at ladies of a certain age who were keen to achieve younger-looking skin. But I also remember there being a strong mother/daughter focus, too. Remember this ‘Nick thought we were sisters’ advert from 1990? However, with the name change there has also come a change in its target audience, especially in more recent years. In fact, January this year saw the launch of Olay Essentials – a collection of cleansers and moisturisers at lower prices (cleansers are £2.49 and moisturisers £4.59) and aimed at younger women. Think of them as entry-level Olay products.

So what’s good?

One of Olay’s bestsellers comes from their Total Effects range – the Total Effects Touch of Foundation (£18.99, available from the Guardian Fashion Store) – one of which sells somewhere in the world every two minutes. It’s a light day moisturiser with SPF15 with, as the name suggests, a hint of foundation. Others might call it a tinted moisturiser but there is a significant difference. On discussing the highly important matter with a friend who uses it most days, we declared it better than a tinted moisturiser as it actually did moisturise the skin.

guardian.co.uk © Guardian News & Media Limited 2010

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Political designs: Samantha Cameron and Michelle Obama fly the flag for style

March 19th, 2012

The views and opinions of this posting are not necessarily those of Sherry’s Villa.


Powered by Guardian.co.ukThis article titled “Political designs: Samantha Cameron and Michelle Obama fly the flag for style” was written by Joanna Walters in New York, for The Observer on Sunday 18th March 2012 00.06 UTC

Samantha Cameron’s fashion choices were a surprise hit with Americans during her visit to Washington last week, even if one critic did compare her blue dress to a tablecloth.

Both Cameron and Michelle Obama were praised for their ostentatious support for young designers, and the boost that their stylish appearances are giving to the fashion industry. “We got so used to ‘first ladies’ wearing drab suits in primary colours and it’s so exciting to see Samantha, as well as Michelle, wearing outfits that aren’t just polished but really flattering,” said Amy Larocca, fashion director for New York magazine.

The prime minister’s wife apparently wowed the crowds with her long-sleeved, high-collared blue banqueting dress by Alessandra Rich – even if the bow at the neck might have given left-leaning Britons an uncomfortable reminder of Mrs Thatcher. American fashion commentators debated earnestly about whether it was just possible to glimpse the outline of a blue bra beneath her dress at the back, below her schoolgirl hairstyle.

The contrast with Michelle Obama, who wore a plunging teal Marchesa gown and sailed into the official dinner last Wednesday with bare arms, a bare back, sweeping beaded jewellery and a glamorous up-do, fuelled talk of a couture contest. “Michelle rocked it,” was a typical online comment, although one pundit disagreed. “I actually thought Samantha’s dress was more trendy,” said Rachel Cothran, who writes the Project Beltway blog on Washington fashion. “The coloured lace was not traditional and I thought it had a vintage feel, very beautiful, with those lovely, ladylike sleeves. It was a great advert for British design.”

And while many women have felt aggrieved that Cameron, 40, and Obama, 48, gave up independent careers to become glorified accessories to their powerful husbands, Cothran sees them as a valuable antidote to ageist, knife-happy Hollywood.

“Here are these women in their 40s showing amazing figures, style and taste, while being taken seriously because people know they have brains as well as natural beauty – that’s potent,” said Cothran. And while Kate Middleton and her sister, Pippa, are busy trailblazing for younger fashion, Samantha is showcasing looks for the stylish, slightly older woman, she added.

Cameron is not yet in Obama’s league when it comes to boosting the fortunes of the fashion industry, however, even if the public does copy her. Clothes from publicly traded companies whose labels were worn by Obama in 2009 collectively enjoyed a $5bn rise in shareholder value, according to New York University’s Stern School of Business.

And although the Washington Post declared that there was “no gap” in the glamour ratings between the two leaders’ wives last week, many readers disagreed in the online comments. “Wallpaper!” wrote commentator Cassandra Camacho about Cameron’s blue dress. “Dowdy for such a young woman,” wrote one reader; “ho-hum, never looks interesting,” said another. One comment on the Fashionista blog read: “She’s got nothing on Michelle. Samantha’s all right, I guess, but that dress looked like my grandmother’s lace tablecloth.”

As well as “that dress”, Cameron wore a Roksanda Ilincic fuchsia top and black Joseph trousers to one event and a crepe wool, “colour-block”, three-quarter-sleeved Ilincic dress to a photocall, with an Emilia Wickstead belt, while Obama wore a stunning white Zac Posen suit.

“Samantha looked fantastic and by that I mean fantastically appropriate,” said Simon Doonan, creative ambassador for New York’s fashionable department store Barneys.

Doonan has a transatlantic perspective, being British but a prominent trend-setter and prominent style commentator in the US. “She’s not supposed to send a message of self-indulgent glamour; she is a public servant. I thought she did a great job with the tricky balance of appearing attractive but not too chic – and no one wants our leaders’ wives gussied up like they’re on the arm of a Russian oligarch,” he said.

Doonan says Americans think of British leaders as an extension of the royal family and expect them to look suitably elegant.

While in New York last Thursday to pay respects at Ground Zero, Cameron visited the Manhattan-based British fashion duo David Neville and Marcus Wainwright, who created the label Rag & Bone. British designers are earning new respect these days in the fashion hubs of New York and Paris.

“I think UK designers are taking more risks, which is exactly the opposite of what SamCam did with her outfits – but, hey, she is a Tory,” said Larocca. “You don’t want her to look like she’s just been nominated for an Oscar. She looked pretty, and that’s perfect.”

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Abercrombie & Fitch with its ‘crappy clothes’ threatens staid Savile Row

March 11th, 2012

The views and opinions of this post are not necessarily those of Sherry’s Villa.


Powered by Guardian.co.ukThis article titled “Abercrombie & Fitch with its ‘crappy clothes’ threatens staid Savile Row” was written by Euan Ferguson, for The Observer on Sunday 11th March 2012 00.07 UTC

In London’s Burlington Gardens, centre of moneyed Mayfair and arguably the epicentre of old-money Britain, we are being gazed down upon sternly by Gottfried Leibniz, the philosopher-mathematician who developed infinitesimal calculus, by Georges Baron Cuvier, the groundbreaking anthropologist, and by Carl Linnaeus, the botanist who founded binomial nomenclature. Bright guys, even if their busts at the back of the Royal Academy of Arts don’t necessarily portray them as a barrel of laughs.

Their stone eyes seem narrowly focused on a semi-naked man, his torso honed and buffed as he pouts and sways just inside the darkened doorway of the London flagship store of Abercrombie & Fitch, while he has his photo taken with and by gaggles of Euro-students.

Inside, music softly thuds, subtle enough at the moment not to trickle too far past the doors behind naked-boy; the lighting is low, louche even, the ambience somehow reminiscent of one of the more tasteful periods during the last days of ancient Rome. Gaze up, and a huge stars and stripes flutters from a proud flagpole. Nothing wrong with that, surely; just around the corner in Bond Street is the bronze, rather lovely statue of Churchill and Roosevelt laughing on a bench: it’s entitled Allies. The flag’s not the problem: this is. Gaze to your right, and you glimpse the very beginning of Savile Row. This is the problem.

Until now, with A&F technically just out of sight of most of the Row, the proud old tailor shops could just about pretend it didn’t exist along with its loudly branded sweatshirts, its Eurotrash and its queues. They were able to get on with what they do so well – making bespoke suits and being slightly scary.

But the problem is that they can’t ignore the brash Americans any more. A&F recently lodged plans to open a children’s store at 3 Savile Row; in plain, horrifying, screaming-spoilt-brat view of the quietly-spoken men with the pins and the worsted. Worse, number 3, as the one-time HQ of Apple (there was once another company called that, youngsters), was where the Beatles played their famous rooftop last gig. Modern heritage, but heritage nevertheless.

So the good tailors are objecting. The chap from Gieves & Hawkes told Westminster council’s planners that the retail development was “totally out of character”. David Coleridge of H. Huntsman & Sons wrote that “the arrival of Abercrombie & Fitch at the end of Savile Row has dramatically changed not just the tone, but the safety, of the street”. One tailor was able to be less pussyfooted by being quoted anonymously: “I don’t think anyone objects to moving forward, but a chain store selling crappy clothes to ghastly people isn’t really the direction in which we should be travelling.”

So, is A&F really that bad? I went in. It’s almost tasteful, much back-lighting and soft smells, particularly around the aftershave bit, but pretty loud. A couple of pretty staff are gyrating on the top-floor balcony to a number of songs about being beautiful and one called I Rock, I Sweat, I Dance. Hordes of, basically, rich European students are fingering and mussing up walls and trays of pastel clothing. Apart from two of the good-looking staff, there is not a black face in the store, and I’d guess only two people over 40. Most shoppers are French, Italian, German, and already good-looking and well-dressed enough not to need any other clothes, ever.

The clothes aren’t, actually, crappy. They’re very preppy – sweatshirts, polo shirts, fleeces, boxers, cardigans to be flung over well-bred shoulders à la Jay Gatsby, though these are soft and cuddly as opposed to the itchy garments of the 30s. They look well made, a good few in China. They are also, and this is a surprise to me for a chain, eye-wateringly expensive. The A&F “sell” might be happily unfettered by such restrictive critical considerations as, for instance, taste, but they’re not above adopting old-school Savile Row prices: £80 for a shirt; £200 for a child’s sailing windcheater. The rich kids are grabbing armsful, and I wonder anew about the Euro-crisis, though it does explain why there are no Greek voices.

Outside, Mathilde from Bavaria, one of the brighter and less sulky Euros taking photos of friends outside the front door, is mystified by any row. This A&F will be her first port of call again when she returns to the city during the Olympics. “It is expensive, yes, but there is style, and quality. We love it, love going in,” she says. Did she see no problem in wearing a big shouty shirt advertising the company where she bought it? She looks at me as if I’ve handed her a cormorant. “That’s the appeal. At home, all our friends know where we’ve bought it,” she exclaims.

And there’s the rub. A&F has utterly sewn up branding heaven; it can get youngsters to pay through the nose to further advertise the brand for free, to show their fathers have money. And, thus, this phenomenally successful company can just possibly get by without worrying about my taste, or whether I actually like it; or, quite probably, if they win the planning decision, what Savile Row thinks of them. The money will be made, the further expansions come – already, in neighbouring Regent Street, there’s a 30-metre billboard featuring “bare men” to advertise the taste and style of A&F.

Actually, for what it counts, I don’t think I do like A&F very much. It bought the name of a fine old American proper hunting company which went bust in the 70s, jammed both feet in the door during the dawn of branding and made fortunes by never overestimating the intelligence of the pack-instinct American teenager. Staff at its Milan store were until recently forced to do 10 press-ups if they hadn’t been “cheerful” enough. It once sold a woman’s T-shirt emblazoned “Who needs a brain when you’ve got these?”

It should care about one thing. The problem, actually, is physical. It’s outside the store. The young Italians, as ever, are the worst. They do that thing they do when their tour buses pull up in cities of all clustering heedlessly together, blocking the pavement with their hair and gestures and sulks and phone-cameras and making you step in front of a hurtling taxi: I can quite see the point about safety. And surely the Savile pavement of the kids’ store (if allowed) would be similar if not far worse. Until Westminster Council can pass a bye-law stopping sulky ox-people gangling together and sprawling on to the road with no perception of the existence of other humans, this application should surely be put back on the rack.

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