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The Giorgio Armani 2012 Spring Collection

January 15th, 2012

Giorgio Armani is one of my favorite designers. He was born 1934 in Piacenza, Italy approximately 50 miles south of Milan. Armani remains one of the most celebrated and influential designers that Italy has ever fashioned. Armani entered the fashion industry in the 1960s, launching his career as a window dresser for La Rinascente, a large Milanese high-end department store.

The Armani name is synonymous with glamour, elegance and style. Armani is best known for his menswear collection, which inspired him to perfect a relaxed design collection that uses unstructured jackets and suits for women. Armani’s easy-fit outfits for women are beautifully tailored and offer precision cuts that scream pure elegance. The Armani empire is composed of more than 2,000 emporia worldwide with annual sales of more than $1 billion.

Since Giorgio Armani is one of my favorite designers, I thought I would start 2012 with a glimpse at his Spring 2012 collection, courtesy of . Blue appears to be the hot color for Spring 2012, at least according to Armani. The silhouettes are sexy, elegant, stylish and very feminine.

Enjoy!

 

 

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Menswear trends for next season

January 25th, 2012

The views and opinions of this post are not necessarily those of Sherry’s Villa.


Powered by Guardian.co.ukThis article titled “Menswear trends for next season” was written by Simon Chilvers, for The Guardian on Tuesday 24th January 2012 21.00 UTC

Blockbuster coats

A lot of talk at this week’s menswear shows centred on the guts of a man’s autumn/winter wardrobe: the coat and the suit. At times this made for a boring catwalk season, and an expensive one. But the way that materials were put together or adorned with interesting details gave wearable clothes with a design spark. American designer Alexander Wang has collars that zip into hoods, shirt-tail-style flaps on poppers that can be folded down and slits on the inner elbows of coats for added movement, which came from studying vintage Nasa spacesuits. Carven, a niche but cool French label, has good coat hybrids, including a fun duffel with puffer jacket sleeves – a duffer? Burberry’s cropped puffers worn over suits and Louis Vuitton’s padded space jackets and shiny parkas stood out in two of the best shows. Kris Van Assche’s hit military-sportswear Dior Homme collection featured inside-out coats. Its snug four-button suit jackets, worn with a baseball cap, felt young and modern.

Leather with everything

At Yves Saint Laurent, one of the strongest collections this season, leather featured in every single look, against a giant chalkboard backdrop. It was all about the neat tailored jackets or razor-sharp coats with leather details for the lapel or shoulder. The final narrow coat, with its biker top half and wool-coat bottom was particularly gorgeous. Similarly leather-fixated was Raf Simons’s collection for Jil Sander. Oversized belted leather coats over suits, double-breasted jackets in leather, leather long-sleeved tops. This wasn’t necessarily an easy collection to love – a dinosaur jumper aside – but it has certainly stuck with me. Note: leather gloves, worn with a suit, are very next season.

Knitwear update

The jumper’s makeover as a “fashion piece” continues. Burberry’s had an air of golf about theirs though its designer Christopher Bailey said that wasn’t intentional. They also had a lovely new wide neck shape. “I haven’t got a new name for it,” he said. “But I liked the idea of them looking stretched-out somehow.” Alistair Carr at Pringle delivered a strong collection, balancing “fashion” knits, such as bold tartan or an exploded herringbone, along with desirable coats and fantastic boots. Squared-off necks popped up at Ferragamo, Dries Van Noten and Wang, whose cyan blue tech-knit looked super-modern.

The other big knit-line is the polo neck, particularly under a shirt, as seen at Prada. Prada’s were short-sleeved, very thin and like underwear. Other impressive knits included Alexander McQueen’s Aran jumper, which morphs into a sweatshirt, YSL’s razorblade jumper, Dolce & Gabbana’s bell-shaped, elbow-length-sleeved styles and Wooyoungmi’s sweaters with cable details.

Power shapes

A Lanvin menswear show always has a lot of fashion edge. This season things kicked off with boys carrying spy-style attache cases and wearing coats or jackets where the emphasis was on a new curved strong shoulder. Sculptural, pumped-up knits with an air of the Michelin man were tucked into high-waist trousers, trousers were shoved into biker-hiker boots or boxer-trainers while many of the trousers finished in a boot-cut flare. The whole thing was toughened up with caps, short hair and power coats. It might not be everybody’s bag, but it was directional. In other trouser news: McQueen has developed an s-bend trouser, a shape the label already offers for women, which curves out at the back of the leg and hugs the calf. It sounds weird but totally works.

Animal fun

Dinosaurs and whale motifs were seen at Jil Sander. Beaded owls and jewel-embellished fox jumpers appeared at Burberry, while jellyfish and shark-tooth prints added some fun to a dark, sea-inspired Paul Smith show. There were also bird references: applique crows at Dior, a feather print at McQueen and feather pins attached to jackets at Vuitton. Rather less fun though, was the amount of fur flying about this season. Vuitton had kangaroo, Marni had hamster and Wooyoungmi had beaver. The fur collar will be rife next season.

World of interiors

The red, white and black carpet at the Prada show was inspired by modernist rugs – and it turned out to be the stage for the strongest show in Milan. It was also an interiors moment in a season where those influences kept popping up. The set at Dolce & Gabbana featured a velvet curtain with gold braiding, well suited to a rich collection featuring lashings of gold filigree, silk pyjamas, velvet bow slippers and pinking-shear-edged capes. Velvet was everywhere: plush and plum at Hermès, sleek at Gucci with a flocked wallpaper effect. Prada had silk foulard and robe-style coats with a stately home-meets-boudoir vibe while McQueen’s Victorian-inspired collection included tapestry slippers. In Paris, Dries Van Noten’s prints featured psychedelic scenery that wouldn’t have looked out of place on an expensive statement drape while a textured bomber jacket reminded me of an old sofa – but in a good way.

Finally, the micro trends

• Olive.

• Military references. Yes military is still in fashion, but then isn’t it always?

• The wearing of coats on shoulders and capes is still most definitely a ”look”.

• The bomber jacket – it’s everywhere, in every guise.

• Double-breasted suits are here to stay.

• There’s a pinstripe revival afoot. Ditto herringbone.

• Hair is slick-to-wet-look.

• Paisley is a micro trend.

• Astrakhan is big in high-end luxury circles.

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Top games of 2011: the titles that got away

December 29th, 2011

The views and opinions of this article are not necessarily those of Sherry’s Villa.


Powered by Guardian.co.ukThis article titled “Top games of 2011: the titles that got away” was written by Keith Stuart, for guardian.co.uk on Thursday 29th December 2011 14.17 UTC

Our Top 20 Games of the Year list for 2011 provoked plenty of interesting discussion, but judging from most of the reactions, it seems we got things more or less right. Mostly. Kind of.

There were of course, glaring omissions readily picked up on by our readers. The absence of Witcher 2, CDProjekt’s dark, literary RPG, riled some, especially as its take on branching narratives and the concept of character progression is deemed by many to be superior to the Elder Scrolls system. On the subject of fantasy titles, we also passed over the wonderful Xenoblade Chronicles, declared by many to be the best Japanese RPG for a generation.

Two excellent PS3-exclusive shooters were overlooked. The stark Killzone 3 (still a poster boy for 3D visuals) and the involving Resistance 3 should probably be on every PlayStation owner’s new year sales grab list. We let both of the year’s Lego titles slip by unrewarded, too, much to the chagrin of our resident plastic block fancier, Neil Davey, who loved both the Harry Potter and Pirates of the Caribbean releases.

Elsewhere, driving games received short shrift, with Dirt 3, Gran Turismo 5 and Forza 4 all critically acclaimed and much enjoyed. There were also plenty of stunning downloadable titles alongside the might Bastion: Insanely Twisted Shadow Planet, Joe Danger: Special Edition, Sonic CD and Guardian Heroes were all essential purchases – though the latter two remind us of another “genre” neglected by our list: the HD remakes. Should we have found some space for the likes of the Metal Gear Solid collection and Ico/Shadow of the Colossus?

Anyway, just to close this year’s listing fun, here are a bunch of other titles, chosen by a selection of our reviewers, that could have made it into the Top 20, in another dimension …

Steve Boxer on Dead Island (Techland/Deep Silver, PC, PS3, Xbox 360)

Dead Island made a pre-launch splash, thanks to a super-cool trailer played out backwards and in slow-motion. But more importantly, it found a new spin on zombie games, being a proper RPG (reminiscent of Fallout 3, gameplay-wise), charting the overnight zombification of a previously idyllic resort. It employed as much rigour as is possible given that (whisper it) zombies don’t actually exist – forcing you to fashion weapons from found objects. OK, it was buggy – what RPG isn’t these days – but it was thoroughly absorbing, fearfully addictive and deserves extra plaudits for originating from an obscure, unfancied developer and publisher.

Greg Howson on Star Wars: The Old Republic (EA, PC)

Yes, it was only released the week before Christmas, but already SWTOR has shown enough to make the list. By adding Bioware’s trademark narrative skills to the familiar MMO template, SWTOR is instantly engrossing. Longer-term doubts remain about the content for high-level players, but by focussing on the journey more than the destination, SWTOR has made MMOs more welcoming than ever.

Mike Anderiesz on Crysis 2 (EA, PC, PS3, Xbox 360)

I had high hopes for it, and the single-player game was still strong with some killer set-pieces and graphics. Weak AI and formulaic multiplayer may explain its absence from our top 20, but it still shafts Minecraft from every conceivable angle. Where’s the justice?!

Adam Boult on Defender (DroidHen, Android)

A free, simple and ludicrously addictive tower defence game. You’re an archer defending a castle from various monsters who approach in waves trying to smash the walls down. Each level lasts just a couple of minutes, and your bow-skills are rewarded with credits to spend on power ups. Has a devilish “just one more go” factor that can easily swallow up hours of your time.

Stuart O’Connor on Mario Kart 7 (Nintendo, 3DS)

After the disappointment that was Mario Kart on the Wii, it’s great to see this classic racer back on track. The new features – such as the hang gliders, and the underwater sections – really enhance the fun, and the 3D effects are excellent. Here we go!

Nick Cowen on Child Of Eden (Ubisoft, PS3, Xbox 360)

Child Of Eden feels less like a video game than it does an interactive experience. Every aspect of Tetsuya Mizuguchi’s gorgeous rail-shooter works hard to immerse the player, blocking out the mundane world around them, plunging them into a swirling majestic universe. Players fly through glistening corridors of light, purifying ethereal shapes and creatures as hammering percussion and aching synth-lines pull at their heartstrings and play with their emotions. Child Of Eden offers players a world like no other. It’s a tidal wave of ecstasy and wonder.

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